残破的裂缝是光照进来的地方——闲庭杂记

这几年一直尝试找到属于自己的设计方式；学的东西很杂，总感觉应该有点自己的路子。虽然我不知道它应该算个什么风格。但这个项目确实是我的设计探索的重要一步。这应该算是一个从“垃圾堆”捡回来的实验作品，造价低，没施工项目经理。环境市井，经营棋牌室，作为住宅底商内部管线盘错极其复杂。当业主通过施工方找到我时，了解到这样一个情况，一度想放弃这个项目，但跟业主接触后发现比较聊得来，我就想放开试一下，想看下在业态市井，环境嘈杂，造价低的条件下，依靠设计能创造点什么东西出来。但我也想郑重告诉那些亲爱的业主，不要受这个方案误导，所有的多快好省都是有代价的。譬如你把工程造价减下去了，就要多花点钱在设计费和工程管理上，因为现场设计服务过程真的很骨感，且毫无省心的捷径；就看你消费的价值观是怎样的了，不得不承认还是很多业主宁愿会选择省掉设计，买回一些很高档的材料去拼凑一个很热闹的空间；我无意冒犯，只能说我们价值观不同而已。而那些认为花了设计费就认为我能有很强的省钱能力的业主也要注意了，我也没你想的那么有办法，所谓的省钱也是有限的，而且看起来省钱的效果没准更费钱。也不要受这个方案误导，我只是喜欢去欣赏那些跟我不同价值观的人看到我作品嫌弃和不可思议的眼神而已。作为设计师我最多只能在平衡造价与效果间想些“野路子”比如用废铁片教工人在现场焊了个齁沉的吊灯；用网上淘来的老门板搭了张桌子；或者直接就用了水泥地（会开裂那种）再或者从银行里进了批货，换了些一毛硬币贴在卫生间地面。玩麻将输了可以多去下卫生间扣回点本钱，哈哈。直接贴钱的总体造价居然真的比马赛克还要便宜点。

关于外延部分：

刚接触业主，业主就跟我讲这个底商处在三岔路口，又紧邻派出所，干黄了很多干餐饮的老板。风水师说这是个“是非之地”关于风水作为设计师我得承认我确实没整明白，听起来有道理，但又无法求证，细琢磨又一头雾水。大概是因为没遇到高人点拨，但我又敬畏未知领域，因为我觉得这世界确实远没有我们看的那么简单透彻。但我可以通过解决已知设计问题，间接和风水师殊途同归。给我的第一感受就是大门的位置太直接了，我要用园林营造的手法造一个找不到门的地方。把外立面掀起一个衣角，溜进去。天津的业主都有拜关公的习俗，我就想这事关公应该管管啊。但是如果和你们一样直接请个关公像就太显不出我价值了。所以在造型上用“两层皮”的设计手法。外皮为白墙与闲窗设计手法属于中国传统文化的范畴，内皮为金属网造型，解决采光与通风同时可让建筑看起来更加整体。设计手法属于西方现代建筑范畴。以这两种文化的撞击形成戏剧化的视觉冲击。整个建筑外立面的形态好像身着金属护甲的关公身披一身白色长袍。儒将风骨。

内部的布局以园林式手法诠释内建筑空间。格局与理念借鉴传统精髓，外在形式上采用解构创新的现代设计手法来演绎。我把它拆解为三进，三进之间的动线又相互巡游串联，地方不大，但会让人有迷宫游园的错觉。

“一进空间”（浣竹溪）

入门后的空间为“一进”。在揭起的三角区域采用顶部玻璃顶天窗的设计，既可强调私密也可解决自然采光。“一进”

地面是水池，并结合水泥材质的叠水装置与现代雕塑。并从共享空间垂下不锈钢管竹林，让人有竹林中穿行的感觉。一进空间在人的心理起到的是洗涤心灵的作用

“二进空间”（幽林径）

中轴线上的“T "型走廊是”二进”这个空间是把原来的共享封上楼板，层高不高，强调空间的节奏感。借由顶面墙面的镜子将两边的不锈钢柱子演化为竹林的意境。让人彻底放松下来

“三进空间”（云鹤堂）

这个共享空间是整个设计的核心

有三层核心的含义

1是动线的核心，楼梯从这经过。

2是风水的核心，藏风纳气，所做锈板石景刚好是整个室内的核心底景。

3是文化的核心，墙面投影着月落鸟惊飞的投影只想突出一个“闲”字。

Broken crack is the place where light comes in

In recent years, I have been trying to find my own way of design; I have learned a lot of things, and I always feel that I should have my own way. Although I don't know what style it should be. But this project is really an important step in my design exploration. This should be regarded as an experimental work picked up from the "garbage heap", with low cost and no construction project manager. It is very complicated to run chess and card room in the environment, as a residential bottom business, and the internal pipeline is very complicated. When the owner came to me through the construction party, he learned that he once wanted to give up the project, but after contacting with the owner, I found it quite chatty. I wanted to open up and try to see what can be created by design under the conditions of commercial market, noisy environment and low cost. But I also want to solemnly tell those dear owners, do not be misled by this plan, all the more fast, better and more economical all have a price. For example, if you reduce the project cost, you will have to spend more money on the design fee and project management, because the on-site design service process is really bone like, and there is no shortcut to worry about. Depending on your consumption values, it has to be admitted that many owners prefer to choose to omit the design and buy some high-grade materials to put together a lively space. I have no intention It's just that we have different values. And those owners who think that I can save a lot of money after spending the design fee should also pay attention. I am not as good as you think. The so-called saving money is limited, and it seems that the effect of saving money may be more expensive. Don't be misled by this plan. I just like to appreciate people who have different values from me and see the disgusting and incredible eyes of my works. As a designer, I can only think of some "wild ways" between cost and effect, such as using scrap iron to teach workers to weld a heavy chandelier on site, building a table with old door panels from the Internet, or directly using cement floor (which will crack), or buying a batch of goods from the bank, changing some Dimes to paste on the bathroom floor. Play mahjong lost, you can go to the bathroom to deduct some capital, ha ha. The overall cost of direct subsidy is actually cheaper than mosaic.

On the extension part:

As soon as I got in touch with the owner, the owner told me that the bottom merchant was in a fork in the road and was close to the police station, which made him a lot of restaurant owners. Geomantic experts say this is a "land of right and wrong". As a designer, I have to admit that I really don't understand it. It sounds reasonable, but I can't prove it. After careful consideration, I have no idea. Maybe it's because I didn't meet the advice of experts, but I also fear the unknown field, because I think the world is far less simple and thorough than we see. But I can solve known design problems, indirectly and geomantic experts to achieve the same goal. My first feeling is that the location of the gate is too direct. I want to create a place where I can't find the door with the garden construction method. Lift the facade up a corner and slip in. Tianjin owners have the custom of worshiping Guan Gong. I think Guan Gong should take charge of this. But if I invite a Guan Gong like you, it will not show my value. Therefore, the design method of "two layers of skin" is used in the modeling. The outer skin is white wall and leisure window. The design method belongs to the category of Chinese traditional culture. The inner wall is made of metal mesh, which can solve the lighting and ventilation and make the building look more integrated. The design method belongs to the category of western modern architecture. The impact of these two cultures forms a dramatic visual impact. The appearance of the whole building facade looks like Guan Gong in metal armor wearing a white robe. The character of a Confucian general.

The interior layout interprets the interior architectural space in a garden style way. The pattern and concept draw lessons from the traditional essence, and use the modern design method of deconstruction and innovation to deduce the external form. I disassembled it into three entrances. The moving lines between the three entrances are connected in series. The place is not big, but it gives people the illusion of a labyrinth park.

"Entering space" (huanzhuxi)

The space after entry is "one in". The top glass roof skylight is adopted in the uncovered triangle area, which can not only emphasize privacy but also solve natural lighting. "One in"

The ground is a pool, combined with the cement material of the water device and modern sculpture. From the shared space, the stainless steel pipe bamboo forest is hung down, which makes people feel like walking through the bamboo forest. One into the space in people's psychology plays the role of washing the soul

"Binary space" (Youlin path)

The space of "T-shaped corridor" on the central axis is "two entrances". The original shared space is sealed on the floor. The floor height is not high, and the rhythm of the space is emphasized. The mirror on the top wall evolves the stainless steel columns on both sides into the artistic conception of bamboo forest. It's relaxing

"Three entering space" (yunhetang)

This shared space is at the heart of the design

There are three levels of core meaning

1 is the core of the moving line, and the stairs go through it.

2 is the core of geomantic omen. It contains the wind and absorbs the air. The rusty stone landscape is just right, which is the core bottom view of the whole interior.

3 is the core of culture. The projection of the moon falling birds on the wall is just to highlight the word "leisure".